Max is traditionally a Cross-Cast Role played by a soprano, while the titular Wild Things are played by dancers in costumes with their voices being provided in the pit. The book also spawned a little-known operatic adaptation composed by Oliver Knussen, with libretto by Sendak (who also designed the sets and costumes). Most of the following tropes will deal with the film version (see Adaptation Expansion). Unlike in the book, the monsters all have their individual characteristics and personalities that are each in some way a reflection of Max's personality. This causes a conflict that ends with him running away to an island populated by semi-feral monsters who crown him king out of a need for someone to take care of them and their emotional needs. In the Spike Jonze film, Max is an angry little boy in a wolf costume who is very intelligent and resents that his sister feels too old to spend time with him and that his mother's life is too busy to give him the attention he desires. There are two film adaptations, the more recent one directed by Spike Jonze of Being John Malkovich fame with a soundtrack by Karen O. At first happy, he eventually grows tired of acting like a wild animal and goes back home. There he is ( depending on your interpretation) either transported to or imagines a world populated by semi-feral monsters, and is crowned their king because of his wild emotions. In the book, Max is an angry little boy in a wolf costume who can't control his emotions and is sent to his room. It was originally panned by critics, but has since become a beloved classic. Where the Wild Things Are is a children's book by Maurice Sendak.
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